The culture of Los Angeles is rich with arts and ethnically diverse. The greater Los Angeles metro area has several notable art museums including the Los Angeles County Museum of Art (LACMA), the J. Paul Getty Museum on the Santa Monica Mountains overlooking the Pacific, the Museum of Contemporary Art (MOCA), and the Hammer Museum. In the 1920s and 1930s Will Durant and Ariel Durant, Arnold Schoenberg and other intellectuals were the representatives of culture, in addition to the movie writers and directors. As the city flourished financially in the middle of the 20th century, culture followed. Boosters such as Dorothy Buffum Chandler and other philanthropists raised funds for the establishment of art museums, music centers and theaters. Today, the Southland cultural scene is as complex, sophisticated and varied as any in the world. Los Angeles is strongly influenced by Mexican American culture due to California formerly being part of Mexico and, previously, the Spanish Empire.
History
The history of Los Angeles began in 1781 when 44 settlers from New Spain established a permanent settlement in what is now Downtown Los Angeles, as instructed by Spanish Governor of Las Californias, Felipe de Neve, and authorized by Viceroy Antonio María de Bucareli. This piece of history has been marked by a monument named "El Pueblo". After sovereignty changed from Mexico to the United States in 1848, great changes came from the completion of the Santa Fe railroad line from Chicago to Los Angeles in 1885. "Overlanders" flooded in, mostly white Protestants from the Lower Midwest and South. Los Angeles began to grow as the built their first firehouse station in 1884 and the first home was built by Francisco Avila in 1818.
Los Angeles had a strong economic base in farming, oil, tourism, real estate and movies. It grew rapidly with many suburban areas inside and outside the city limits. Its motion picture industry made the city world-famous, and World War II brought new industry, especially high-tech aircraft construction. Politically the city was moderately conservative, with a weak labor union sector.
Since the 1960s, growth has slowed—and traffic delays have become infamous. Los Angeles was a pioneer in freeway development as the public transit system deteriorated. New arrivals, especially from Mexico and Asia, have transformed the demographic base since the 1960s. Old industries have declined, including farming, oil, military and aircraft, but tourism, entertainment and high-tech remain strong. Over time, droughts and wildfires have increased in frequency and become less seasonal and more year-round, further straining the city's water security.
The arts
Architecture
Los Angeles has many different types of architectural styles scattered throughout the city and nearby satellite cities. Los Angeles has a rich and diverse history of architectural works, having been known throughout professional architectural circles as a testbed for architecture. The case study houses in particular revolutionized residential architecture. Architects such as Richard Neutra, Jack Charney, Pierre Koenig, John Lautner and Frank Lloyd Wright all have important works in the city. Some of the different types of architectural styles throughout the city and metropolitan area are Mission Revival, Spanish colonial revival, craftsman, Norman French Provincial, French chateau, English Tudor, beaux arts, art deco, and streamline moderne.
In downtown Los Angeles, there are several buildings constructed in the Art Deco style. In recognition of this heritage, the recently built Metropolitan Transit Authority building incorporates subtle Art Deco characteristics.
Modern architecture in the city ranges from the works of pioneering African-American architect Paul R. Williams, to the iconoclastic deconstructivist forms of Frank Gehry, a long-time resident of the city. Charles Eames and his wife Ray Eames designed famous chairs and other domestic goods.
Visual arts in Los Angeles
The plein air movement of impressionistic landscape painting found early adherents in the Los Angeles area. Instrumental in the development of the genre was the California Art Club (est. 1909) that provided numerous exhibitions and lectures. The art form continues to be recognized as a signature style of California art. Much of the energy in the city's art scene in the 1945 to 1980 stretch came from private collectors, artists' collectives, print shops, art schools and especially from commercial galleries.Scott Timberg (January 1, 2012), Galleries fostered L.A.'s postwar art scene Los Angeles Times.
In the 1960s, Corita Kent, then known as Sister Mary Corita of Immaculate Heart College, created bright, bold serigraphs carrying the messages of love and peace.
Public art in Los Angeles See List of public art in Los Angeles
The oldest known public artwork in Los Angeles is the 1900 sculpture of a United States soldier by architects S. M. Goddard and Kilpatrick (no known sculptor), part of the Spanish-American War Memorial, located in Pershing Square. The 1926 Central Library designed by Bertram Goodhue was an architectural masterpiece incorporating murals and sculptures throughout, notably four rotunda murals by Dean Cornwell depicting California history. Los Angeles is known for its murals, and many outdoor public art murals have been painted throughout the 20th century by early Mexican muralists Diego Rivera, David Alfaro Siqueiros and José Clemente Orozco.
During the 1960s and 1970s, the Chicano art movement took a strong hold in Los Angeles. Much of the work produced followed the Mexican muralist tradition of sending potent social messages. Works produced in this era included East Los Streetscapers, Judy Baca and others. Chicano arts in Los Angeles also gave rise to the internationally renowned Self Help Graphics & Art, known for its Corita Kent-influenced serigraphs and its annual Día de los Muertos festival.
Public Art in the downtown area of Los Angeles during the 1970s was characterized by large abstract sculptures such as Herbert Bayer's Double Ascension (1973), and Alexander Calder's Four Arches (1973) installed with the commercial redevelopment of Bunker Hill. In 1989 the City passed an ordinance requiring developers to contribute one percent of the cost of construction of new buildings to a public art fund. The resulting funds for public art and public art programs in the 1990s, coupled with substantial subway and light rail transit in the 1990s, created public art installations in new rail stations and public spaces throughout the city and beyond.
Chris Burden's Urban Light (2008) in front of the Los Angeles County Museum of Art on Wilshire Boulevard attracts hundreds of visitors daily, has been featured in several films as an iconic image of Los Angeles, and has become a tourist destination and popular public space.
Art museums and galleries See List of museums in Los Angeles
There are 841 museums and art galleries in Los Angeles County. In fact, Los Angeles has more museums per capita than any other city in the world. Some of the notable museums are the Los Angeles County Museum of Art (the largest art museum in the Western United States), the Getty Center (part of the larger J. Paul Getty Trust, the world's wealthiest art institution), the Battleship Iowa, and the Museum of Contemporary Art. A significant number of art galleries are located on Gallery Row, and tens of thousands attend the monthly Downtown Art Walk there.
In 1943, a community-run arts association in Pasadena merged with the better funded Pasadena Art Institute and moved into what is now the home of the Pacific Asia Museum. Renamed the Pasadena Art Museum, it organized some of the most adventurous and cutting edge shows of contemporary art in the region, notably, an early Pop art show in 1962, and a Marcel Duchamp retrospective in 1963. Although the city had a long tradition of visual arts supported by private collectors and galleries, Los Angeles did not have a comprehensive museum of art until 1965, when LACMA opened its doors. At about the same time, La Cienega Boulevard became home to many art galleries, most notably Ferus, featuring works by artists who lived in the area, Dwan Gallery, and Riko Mizuno Gallery. Although Andy Warhol was based in New York, the famous "soup cans" were first exhibited at Ferus. A local exponent of pop art was Ed Ruscha, some of whose work was representational, others consisted of simple slogans or mottoes which were usually humorous, being so far out of the context where such statements would normally appear. An example of this is Nice Hot Vegetables Larry Bell, for example, explored the interaction of a sculpture to its environment, demonstrating that the boundaries are usually not entirely clear. David Hockney, an English immigrant, produced figurative paintings set in idyllic Southern California locales, such as swimming pools in the bright sunlight, belonging to modernist houses. Although these paintings are representational, they seem to be composed of small color patches, somewhat like collages. Finish Fetish—a style that emphasized gleaming surfaces—and Light and Space—art about perception—were other Ferus-bred styles that allowed L.A. to distinguish itself from the rest of the art world. It was during this period that the contemporary arts scene in Los Angeles began to command the attention of collectors and museum directors internationally.