Histoire d'un crime is a 1901 French silent film directed by Ferdinand Zecca and distributed by Pathé Frères.Lanzoni 2004, p. 42. The film stars Jean Liézer as the murderer and was based on a contemporary tableau series titled "L'histoire d'un crime" at the Musée Grévin.Schwartz 1999, p. 146.Rège 2009, p. 1026.

Histoire d'un crime is considered the first crime film and among the first to use seedy, realistic settings.Austin 1996, p. 3. Film historian Don Fairservice has noted Histoire d'un crime was "very influential."Fairservice 2002, p. 28.Doane 2002, p. 17. Zecca had convinced Charles Pathé that other film subjects could supplement the Pathé documentaries. His other films included comedies, trick films,Paris 1995, p. 11. or fairy tales, such as Les Sept châteaux du Diable, both 1901, and La Belle au bois dormant in 1902, as well as social dramas like Les Victimes de l'alcoolisme (1902), Au pays noir (1905) and reconstructions of actual events, the most famous being La Catastrophe de la Martinique (1902).

Histoire d'un Crime is also considered the first film to feature a flashback.

Plot During a home invasion, a sleeping bank employee is awakened by a burglar. In the ensuing struggle, the burglar stabs the other man. The next day, the burglar, an out-of-work carpenter, is arrested at a café while spending lavishly on wine. He is put on trial and found guilty.

While the burglar is being held in prison, he sees a series of flashbacks on his cell wall, depicting him as an honest workman with a happy home life but he soon begins to drink heavily. Becoming a burglar, he descends further into crime, finally committing a murder.

As the day of execution arrives, the executioners cut his hair off and a priest performs an expiation. The burglar is led to the guillotine and is executed.

Cast Jean Liézer as the murderer

Production Histoire d'un crime is stylistically innovative in its use of superimposition of images. The story was of a man condemned to death, awaiting execution with his crimes appearing on his cell wall. The film is also an early example of flashbacks as a film device.:The rise of French cinema." brevestoriadelcinema. Retrieved: 31 December 2016. The realism that was portrayed led to the film being stopped before the final execution scene to allow women and children to leave the theatre. Later, French authorities censored the film and required that the scene be entirely removed.

References Notes

Bibliography

Austin, Guy.Contemporary French Cinema: An Introduction. Manchester, UK: Manchester University Press, 1996. . Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Boston: Harvard University Press, 2002. , Fairservice, Don. Film Editing: History, Theory and Practice: Looking at the Invisible. Manchester, UK: Manchester University Press, 2002. . Lanzoni, Rémi Fournier. French Cinema: From Its Beginnings to the Present. New York: Continuum International Publishing Group, 2004. . Paris, Michael. From the Wright Brothers to Top gun: Aviation, Nationalism, and Popular Cinema. Manchester, UK: Manchester University Press, 1995. . Rège, Philippe. Encyclopedia of French Film Directors, Volume 1. Lanham, Maryland: Scarecrow Press, 2009. . Schwartz, Vanessa R. Spectacular Realities: Early Mass Culture in Fin-de-siècle Paris. Berkeley, California: University of California Press, 1999. .

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