Fibber McGee and Molly (1935–1959) was a longtime American husband-and-wife team radio comedy program.
The situation comedy was a staple of the NBC Red Network from 1936 on, after originating on NBC Blue in 1935. One of the most popular and enduring radio series of its time, it ran as a stand-alone series from 1935 to 1956, and then continued as a short-form series as part of the weekend Monitor from 1957 to 1959. The title characters were created and portrayed by Jim and Marian Jordan, a husband-and-wife team that had been working in radio since the 1920s.
Fibber McGee and Molly followed up the Jordans' previous radio sitcom Smackout. It featured the misadventures of a working-class couple: habitual storyteller Fibber McGee and his sometimes terse but always loving wife Molly, living among their numerous neighbors and acquaintances in the community of Wistful Vista. As with radio comedies of the era, Fibber McGee and Molly featured an announcer, house band and vocal quartet for interludes. At the peak of the show's success in the 1940s, it was adapted into a string of feature films. A 1959 attempt to adapt the series to television with a different cast and new writers was both a critical and commercial failure, which, coupled with Marian Jordan's death shortly thereafter, brought the series to a finish.
Husband and wife in real life The stars of the program were husband-and-wife team Jim Jordan (1896–1988)Ancestry.com. California Death Index, 1940–1997 [database on-line]. Provo, UT: The Generations Network, Inc., 2000. and Marian Driscoll Jordan (1898–1961), who were natives of Peoria, Illinois.
Jordan was the seventh of eight children born to James Edward Jordan, a farmer, and Mary (née Tighe) Jordan, while Driscoll was the twelfth of thirteen children born to Daniel P., a coalminer, and wife Anna (née Carroll) Driscoll.
Jim wanted to be a singer, and Marian wanted to be a music teacher. Both attended the same Catholic church, where they met at choir practice. Marian's parents had attempted to discourage her professional aspirations. When she started seeing Jim Jordan, the Driscolls were far from approving of either him or his ideas. Jim's voice teacher gave him a recommendation for work as a professional in Chicago, and he followed it. He was able to gain steady employment, but soon tired of the life on the road. In less than a year, Jim came back to Peoria and went to work for the Post Office. Marian's parents now found Jim (and his career) to be acceptable, and they stopped objecting to the couple's marriage plans. The pair married in Peoria, August 31, 1918.
Five days after the wedding, Jim received his draft notice. He was sent to France, and became part of a military touring group which entertained the armed forces after World War I. When Jim came home from France, he and Marian decided to try their luck with a vaudeville act.Oakland Tribune, November 10, 1935. They had 2 children, Kathryn Therese Jordan (1920–2007) and James Carroll Jordan (1923–1998). Marian returned home for the birth of Kathryn, but went back to performing with Jim, leaving her with Jim's parents. After Jim Jr. was born, Marian stayed with the children for a time, while Jim performed a solo act. Marian and the children joined him on the road for a short time, but the couple had to admit defeat when they found themselves in Lincoln, Illinois in 1923 with 2 small children and no funds. The couple's parents had to wire them money for their return to Peoria. Jim went to work at a local department store, but still felt an attraction of being in show business. He and Marian went back into vaudeville.
While staying with Jim's brother in Chicago in 1924, the family was listening to the radio; Jim said he and Marian could do better than the musical act currently on the air. Jim's brother bet him $10 they could not. To win the bet, Jim and Marian went to WIBO, where they were immediately put on the air. At the end of the performance, the station offered the couple a contract for a weekly show, which paid $10 a week. The show's sponsor was Oh Henry! candy, and they appeared for 6 months on The Oh Henry! Twins program, switching to radio station WENR by 1927.
When it seemed to the couple they were financially succeeding, they built a home in Chicago, which was a replica of their rented home, complete to building it on the lot next door. For their 1939 move to the West Coast, the Jordans selected an inconspicuous home in Encino. Some of Jim Jordan's investments included the bottling company for Hires Root Beer in Kansas City.
From vaudeville to Smackout
Fibber McGee and Molly originated when the small-time husband-and-wife vaudevillians began their third year as Chicago-area radio performers. Two of the shows they did for station WENR beginning in 1927, both written by Harry Lawrence, bore traces of what was to come and rank as one of the earliest forms of situation comedy. In their Luke and Mirandy farm-report program, Jim played a farmer who was given to tall tales and face-saving lies for comic effect. In a weekly comedy, The Smith Family, Marian's character was an Irish wife of an American police officer. These characterizations, plus the Jordans' change from being singers/musicians to comic actors, pointed toward their future; it was at this time when Marian developed and perfected the radio character "Teeny". It was also at WENR where the Jordans met Donald Quinn, a cartoonist who was then working in radio, and the couple hired him as their writer in 1931. They regarded Quinn's contribution as important and included him as a full partner; the salary for Smackout and Fibber McGee and Molly was split between the Jordans and Quinn.
While working on the WENR farm report, Jim Jordan heard a true story about a shopkeeper from Missouri whose store was brimming with stock, yet he claimed to be "smack out" of whatever a customer would ask him for, though he always had tall tales in stock. The story reached the halls of nearby Columbia College, and the students began visiting the store, which they called "Smackout", to hear the owner's incredible stories.
For station WMAQ in Chicago, beginning in April 1931, the trio created Smackout, a 15-minute daily program that centered on a general store and its proprietor, Luke Grey (Jim Jordan), a storekeeper with a penchant for tall tales and a perpetual dearth of whatever his customers wanted: He always seemed "smack out of it". Marian Jordan portrayed both a lady named Marian and a little girl named Teeny, as well as accompanying the program on piano. During the show's run, Marian Jordan voiced a total of 69 different characters. Smackout was picked up by NBC in April 1933 and broadcast nationally until August 1935.
One of the S. C. Johnson company's owners, Henrietta Johnson Lewis, recommended that her husband, John, Johnson Wax's advertising manager, try the show out on a national network. The terms of the agreement between S.C. Johnson and the Jordans awarded the company ownership of the names "Fibber McGee" and "Molly".
From Smackout to Wistful Vista
If Smackout proved the Jordan-Quinn union's viability, their next creation proved their most enduring. Amplifying Luke Grey's tall talesmanship to Midwestern braggadocio, Quinn developed Fibber McGee and Molly with Jim as the foible-prone Fibber and Marian playing his patient, common sense, honey-natured wife. In its earliest incarnation, Fibber McGee and Molly put focus on Fibber's tall tales and extended monologues. During these earliest episodes of the series, Molly had a pronounced Irish dialect. while Fibber's voice was somewhat higher and more cartoonish; both of the Jordans eventually switched to more realistic, Americanized dialects closer to their own natural tones over the course of the late 1930s as the series evolved into the more familiar domestic sitcom format. The show premiered on NBC April 16, 1935, and though it took three seasons to become an irrevocable hit, it became the country's top-rated radio series. In 1935, Jim Jordan won the Burlington Liars' Club championship with a story about catching an elusive rat.
Their world was fast-paced with schemes that ran quickly and paid little, yet no one living or visiting went wanting, 79 Wistful Vista (the McGees' address from show No. 20, August 1935 onward) became the place their neighbours visited to support their struggle. The McGees won their house in a raffle from Mr. Hagglemeyer's Wistful Vista Development Company, with lottery ticket #131,313, happened upon by chance while on a pleasure drive in their car. With McGee wavering between tasks and schemes (like digging an oil well in the back yard) - Molly was set to provide support for the home, their neighbors and friends. Fibber McGee and Molly built its audience steadily, and found the full volume of that audience in 1940.
Marian Jordan took a protracted absence from the show from November 1937 to April 1939 to deal with a lifelong battle with alcoholism, although this was attributed to "fatigue" in public statements at the time. The show was retitled Fibber McGee and Company during this interregnum, with scripts cleverly working around Molly's absence (Fibber making a speech at a convention, etc.). Comedian ZaSu Pitts appeared on the Fibber McGee and Company show, as did singer Donald Novis.
While his wife was ill, Jim Jordan had been closing his radio shows by saying "Goodnight, Molly." In early 1938, the Federal Communications Commission ordered him to stop, claiming it violated a rule about using public airwaves for personal communications. After a few weeks' deliberation, the Commission found that no regulations had been broken, because Molly was a fictional character. Jordan then resumed using the "Goodnight, Molly" signoff. In January 1939, the show moved from NBC Chicago to the new West Coast Radio City in Hollywood.
Cast and characters
Fibber McGee and Molly was one of the earliest radio comedies to use an ensemble cast of regular characters played by actors other than the leads, nearly all of whom had recurring phrases and running gags, in addition to numerous other peripheral characters unheard from over the course of the series.
Main Fibber McGee (Jim Jordan) – a habitual storyteller and the central figure of the series. Originally portrayed with a cartoonish accent, the character settled into using Jordan's own natural voice by the early 1940s. Molly McGee (Marian Jordan) – Fibber's Irish wife and the straight woman of the double act. Her traditional putdown, "'Tain't funny McGee!", appears in the very first episode.
Recurring Throckmorton P. Gildersleeve (Harold Peary) – the pompous next-door neighbor with whom Fibber enjoyed twitting and arguing. Introduced in 1939, Gildersleeve went through several incarnations and first names, all voiced by Peary, before settling on Throckmorton. Many of his interactions with Fibber include the catchphrase "You're a harrrrd man, McGee", in response to a harsh or critical statement from Fibber. Throckmorton's wife is frequently mentioned, never heard, and was dropped when Peary moved on to his own show. However, the wife of Homer Gildersleeve (again played by Peary) was briefly heard from in one episode. Gildersleeve himself returned to the show for an episode (March 28, 1944) while Jim Jordan was ill; Gildersleeve and his nephew Leroy wanted to visit again while between trains.